I tend to look back and have some insight into why I chose to write a book. In the drafting phase, though, I’m far less aware, less conscious. People, situations and issues just show up in my imagination.
They’re kind of irresistible – beckoning me like an open door to a walled garden.
The other nine reasons I wrote this book are all good reasons, but I don’t think many novelists just crank out books for logical reasons.
There are many logical reasons not to write a novel – they take a super long time, they’re hard to get published and even with healthy sales, you wouldn’t want to calculate your hourly pay. Probably about as much as someone who knit a scarf getting eight bucks for it at a craft show.
We kind of do it for love – we knitters and novelists and artists of all kinds. Many of us feel like that’s what we were made to do and that’s the gift we can give people.
To have someone enjoy it – that’s compensation too.
She was a Christian who read her Bible all the time. She was also mean, judgemental, self-righteous, prim, petty and vindictive – basically the antithesis of how Jesus acted. You just don’t often see a sane, appealing Christian character who can speak in whole sentences on mainstream media produced this century.
Often people who follow Jesus are depicted as villains or fools, on screen and in contemporary books.
I just finished writing a novel, “Someone They Can Trust,” that depicts real people who say they’re following Jesus, and almost all of them are really following Jesus. They’re likable, authentic and say amusing things. They show how a relationship with God is fleshed out in real situations.
I’m not saying there aren’t some ignorant and hateful people who say they’re Christians. I just know from experience that there are many mature and loving people in our churches. That’s important for everyone to know. That’s why I wrote this book.
Alzheimer’s Disease is a public health problem of staggering proportions, and a personal tragedy for a good chunk of our population. (Around six million people have it in the United States.)
Even if we weren’t dealing with a pandemic, increasing poverty, unemployment, and a childcare crisis – the prevalence of Alzheimer’s is a loud call to band together and live more communally. Dementia can wreck a family. It’s that hard to deal with.
There is a character in my manuscript, “Someone They Can Trust” who has Alzheimer’s, and the story shows how a loving community can make life livable for the victims of the disease and for their caregivers.
One of three protagonists in the book is the main caregiver for her beloved Grandmother, who is found to have Alzheimer’s early in the story.
The character’s journey is not only about a descent from a devout and useful life; it’s a story about life going on and being full of graceful, sweet moments even in the midst of the disease. Those are what we can learn to create for each other.
God is obviously a good designer, as the varied gorgeousness of Earth testifies.
I’m assuming God also likes good art to be part of our worship gatherings, since his instructions to the Hebrews for building their first temple were specific to the last detail and He had artisans in mind to do the work.
In my latest manuscript, “Someone They Can Trust”, one of the main characters is an artist, and her love for God is both inspired by beauty, and returned with skillful, beautiful painting.
Another character is a worship minister who uses the arts to the best of his ability in planning powerful worship experiences. He also uses the arts as a way of reaching out to the community with invitations to a fabulous gathering, based on something I saw Charlie and Ruth Jones do in Greensboro, N.C. a few years ago. (https://www.joyfulcommunity.com/grub)
Every month they opened their downtown home to 20 to 30 people for a wonderful meal, followed by an open stage for local artists.. I had never seen a more diverse group of people enjoying themselves together more.
My theater company, “Friends of the Groom” joined them, performed some sketches, and were delighted and renewed by the great food, spoken word and music.
Good art and hospitality are a powerful combination. I wanted to show how they build strong community. That’s why I wrote this book.
Sometimes you get so attached to characters that you just can’t confine them to one book. Two of the three protagonists in “Someone They Can Trust”, my latest novel manuscript, first showed up in short stories in my collection, “Christmas on Pleasant Hill”.
Matt was a funny, talented, self- deprecating music minister who pulled off a bizarre but successful Christmas concert in, “The Best Christmas Concert Ever”. Janice was an attractive woman recovering from a wrenching divorce, the departure of her grown children, and a difficult mother needing care in “The Painting”. I just had to see what was going to happen next for these people I liked so much! The third lead character in the novel, Maya, has not appeared in any other book, but has lived in my head for a few decades. I have no idea where she came from!
All three of them are my favorites. That’s why I wrote this book.
I have a love-hate relationship with my neighborhood, which is also the setting for my new novel. We moved here to be near downtown, be near our church, and be present in an urban neighborhood that was struggling. We figured that at the very least, we could help by paying city taxes and keeping up a pretty old house.
The neighborhood is multi-racial and has housing stock ranging from crumbling little apartments to premier mansions. I love its huge trees, surrounding woods, elegant architecture and the outstanding kindness of many of its residents. I hate the poverty, the garbage on the streets, the emptiness in the eyes of young people hanging out on corners.
The novel I just finished, “Someone They Can Trust” is set in this neighborhood, with characters attending a church there that is grappling with the brokenness of the community. It’s good to know that God shows up and does wonderful things even in tough places. That’s why I wrote this book.
In the novel I just finished, “Someone They Can Trust”, black people and white people go to church together, pray together and study the Bible together.
This shouldn’t be a big deal, given that the Bible presents a vision of God’s kingdom welcoming every single people group, but the U.S.A. has an abysmal record regarding racial equity, and our churches are mostly segregated.
The black church has been a place of refuge and safety for generations of African Americans, so it’s understandable if they want their churches to stay segregated.
There are many reasons why white churches are segregated – they may reflect the reality of all-white surroundings, they may not know how to go about being welcoming to people of color even if they want to, or they may contain outright racists. Or all of the above.
Despite these wrenching realities, the bigger reality is that God’s Spirit of love is always working to break down barriers of race, class, age, belief and education. This novel shows a church allowing that to happen. We need to be able to replicate churches that are safe for people of color, which are also attended by white people. That’s why I wrote this book.
The novel I recently finished, “Someone They Can Trust”, takes place in a church a lot like mine, in a neighborhood a lot like mine. Because the setting will be familiar to some readers, I want to make one thing really clear – the abusive pastor in this novel is radically different from any pastor I have ever had in any church I’ve ever been to. I have only ever known pastors who are kind, decent, respectful and morally above reproach.
So if anyone reads an excerpt and recognizes my setting, please don’t think I’m talking about any of its pastors!
The fictional pastor in the book, is a compilation character who emerged from several alarming stories I heard from friends. Unfortunately these kinds of stories keep emerging in national media, and holding abusive leaders accountable doesn’t seem to be a strong suit for our churches. If we can’t discipline our leaders in a biblical way, we have a problem on our hands – that’s why I wrote this book.
A psychologist in my writer’s group read some passages in my latest manuscript and said, “This is the first book I’ve ever read that has a passage incorporating prayer for inner healing.” There aren’t too many novels that incorporate healing prayer of any kind, at least not that I’ve found. Leif Enger’s “Peace Like a River” is one luminous exception, and years ago I read a novel by Agnes Sanford, a well-known leader of the Anglican charismatic movement in the mid 20th century, but it was a pretty bad fiction (her non-fiction books are wonderful).
So here goes me giving it a shot in “Someone You Can Trust”.
Through prayers, I have seen God straighten out a bent spine, reverse a spina bifida diagnosis, melt away a brain tumor, and salvage someone’s fading sight. I have experienced prayer for mental and emotional issues that substantially reduced my symptoms of depression and anxiety, and gave me courage to realign myself in messed up relationships. I’m convinced that God wants to heal us. Many people assume that illness is caused by God, or that God is indifferent to it. My experiences have turned such theology upside down. That’s why I wrote this book.
“Someone They Can Trust” is a novel manuscript I’m submitting to agents and entering in contests. I’m excited about it for a number of reasons. What reasons? Thank you for asking !
1. We Need to Fix What’s Broken:
It’s funny how something can be simmering in you and you don’t know it until you start writing. I didn’t know how angry I was about the sexually abusive behavior of some prominent Christian leaders until I began writing, “Someone They Can Trust.”
I think I was even more disappointed in the institutional leaders surrounding these people – those with more conscience who knew something was wrong and didn’t have the courage to do anything about it.
“Someone They Can Trust” is by no means a wrenching, heartbreaking novel – most of its characters are endearing, witty and love God. However, it is a novel that pulls no punches about how much damage a broken pastor can do to a church, and the responsibility of other leaders to deal with it head-on. That’s why I wrote this book.